Paintings & Drawings2020produced

CELESTIAL LOVE

Seven black sheets where the bleach was allowed to keep travelling

A black sheet with two upright forms side by side, each a small looped head above a long body of fine golden filaments
A black sheet with two dense radiating bursts of fine golden filaments, like dandelion heads
Two bursts. The filaments are the bleach finding its own way out.
A black sheet divided by a thin gold horizon, a comet-like form above it and another below, mirrored
One above the line and one below, facing each other.

Bleach put on black paper and then left alone. Where the other works stop the liquid with a nib or a brush, here it is allowed to keep going, and it travels through the fibres the way frost travels across a window — thousands of separate filaments, each one thinner than a hair, all of them fanning out from a single point of contact.

A black sheet with a single large form, a looped head at the top and a long trailing tail falling the height of the sheet
A head, and then the whole height of the sheet to fall through.
A black sheet with a form that doubles back on itself, two small spiral heads at the top and a curving tail below
This one turns back on itself.

So every form on these sheets has a head and a tail. Two of them stand side by side, a head each and a long body of drifting threads, and that pair is why the set is called what it is. Elsewhere the same thing happens without company: one form falls the whole height of the sheet, another doubles back on itself, two burst open like dandelion heads that have already been blown on.

A black sheet with a thin gold border, a small upright stroke and a round-headed form beside it on a finely speckled ground
The quietest of them, on a ground of fine speckle.

None of the shapes was drawn. The only decisions were where to touch the paper, how much liquid to leave there, and when to stop watching.

A black sheet drawn in a continuous pale looping line that encloses a small square frame near the bottom
The seventh, and the only one made with a line rather than a spread.
One of the sheets standing on a wooden easel in daylight, showing it is loose black paper rather than a panel
On the easel, in daylight. They are loose sheets, not panels.

19 April 2020.

Medium
Sodium hypochlorite (bleach) on black paper
Materials
Black paper, Sodium hypochlorite (household bleach)
Role
Artist

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CELESTIAL LOVE · Paintings & Drawings · Ovidiu Bojor · Work & Design Archive